Second Impression
Second Impression is an album by tenor saxophonist Eric Alexander. It was recorded in 2016 and released by HighNote Records in the same year.
| Second Impression | |
|---|---|
|  | |
| Studio album by | |
| Released | 2016 | 
| Recorded | March 14, 2016 | 
| Studio | Trading 8s Recording Studio, Paramus, New Jersey | 
| Genre | Jazz | 
| Label | HighNote | 
| Producer | Eric Alexander | 
Recording and music
    
The album was recorded at the Trading 8s Recording Studio, Paramus, New Jersey, on March 14, 2016.[1] The quartet are tenor saxophonist Eric Alexander, pianist Harold Mabern, bassist Bob Cranshaw, and drummer Joe Farnsworth.[2] This was probably Cranshaw's final recording session.[3] Alexander also produced the album.[1]
Release and reception
    
| Review scores | |
|---|---|
| Source | Rating | 
| Down Beat |      [3] | 
Second Impression was released by HighNote Records in 2016.[4] The JazzTimes reviewer praised Cranshaw's timing and sense of melody, and commented of Alexander that "the always-reliable leader is particularly inspired".[2]
Track listing
    
All compositions by Eric Alexander except as indicated
- "Second Impression" - 6:20
- "So Many Stars" (Sergio Mendes, Alan Bergman, Marilyn Bergman) - 5:43
- "Blues for Mo" - 5:17
- "Jennie's Dance" (Joe Farnsworth) - 5:54
- "Secret Love" (Sammy Fain, Paul Francis Webster) - 7:31
- "T-Bone Steak" (Jimmy Smith) - 6:06
- "Frenzy" - 6:00
- "Everything Happens to Me" (Matt Dennis, Tom Adair) - 6:34
- "Full House" (Wes Montgomery) - 5:21
Personnel
    
- Eric Alexander – tenor saxophone
- Harold Mabern – piano, Fender Rhodes (tracks 4, 5, 9)
- Bob Cranshaw – bass
- Joe Farnsworth – drums
References
    
- Alexander, Eric "Second Impression" (CD liner notes). HighNote Records. HCD 7296.
- Tamarkin, Jeff (December 17, 2016) "Eric Alexander: Second Impression". JazzTimes.
- Kato, Yoshi (February 2017) "Eric Alexander: Second Impression". Down Beat. p. 72.
- Bowers, Jack (October 14, 2016) "Eric Alexander: Second Impression". All About Jazz.
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